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- Originaltitel : The Day After Tomorrow
- Film titel i ditt land : The Day After Tomorrow
- År av film : 2004
- Genrer av film : Action, Äventyr, Science Fiction, Thriller,
- Status för film : Released
- Släppdatum för film : 2004-05-26
- Företag av film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder film : United States of America,
- Språk film : English, 日本語, Français, العربية, Español,
- Varaktighet film : 124 Min
- Genomsnittlig röst av film : 6.2
- Youtube ID för filmen : Ze8Gshk53Y8
- Översättning av film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,ZH,
- Aktörer som film :Jay O. Sanders (Frank Harris), Nassim Sharara (Saudi Delegate), Perry King (President Blake), Austin Nichols (J.D.), Arjay Smith (Brian Parks), Jake Gyllenhaal (Sam Hall), Sasha Roiz (Parker), Michel 'Gish' Abou-Samah (Saudi Translator), Dennis Quaid (Jack Hall), Japanese Astronaut), John Maclaren (Veteran Scientist), Kenneth Moskow (Bob), Tamlyn Tomita (Janet Tokada), Christian Tessier (Aaron), Kenneth Welsh (Vice President Becker), Richard Zeman (Flight Director), Nestor Serrano (Gomez), Russell Yuen (Hideki, Adrian Lester (Simon), Glenn Plummer (Luther), Emmy Rossum (Laura Chapman), Mimi Kuzyk (Secretary of State), Carl Alacchi (Venezuelan Delegate), Vitali Makarov (Yuri, Sela Ward (Dr. Lucy Hall), Dash Mihok (Jason Evans), Ian Holm (Terry Rapson), Russian Astronaut), Christopher Britton (Vorsteen)
0319262
The Day After Tomorrow är det mest effektiva film utsöndras genom Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, som presenterar en beskrivning av filmen är "Vad skulle hända med världen om växthuseffekten och den globala uppvärmningen fortsatte i sådan utsträckning att de en dag resulterade i en världsomfattande katastrof som flertaliga orkaner, tromber, jordbävningar, tidvågor, översvämningar och början på en ny istid?". Filmen är producerad med utmärkt grafisk kvalitet, bäst ljudkvalitet och störst starring aktörer.
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Construction Foreman : Eric Lafrance, Lighting Artist : David B. Menkes, Visual Effects Art Director : Alexander Laurant, Visual Effects Producer : Jody Echegaray, Makeup Artist : Elisabeth Fry, Production Sound Mixer : Douglas J. Schulman, Post Production Supervisor : Jeffrey Harlacker, Stunt Coordinator : Branko Racki, Original Music Composer : Thomas Wanker, Visual Effects Supervisor : Greg Strause, Sound Re-Recording Mixer : Doug Hemphill, Visual Effects Supervisor : Chris Watts, Matchmove Supervisor : Alia Agha, Boom Operator : Timothy P. Salmon, Executive Visual Effects Producer : Marc Sadeghi, Visual Effects Supervisor : Karen E. Goulekas, Hairstylist : Kathryn Powell, Digital Effects Supervisor : Bryan Grill, Still Photographer : Kerry Hayes, Negative Cutter : Gary Burritt, Set Dresser : Louis Dandonneau, Supervising Sound Editor : Larry Kemp, Animation Supervisor : Danny Gordon Taylor, Software Engineer : Chamberlain Fong, 3D Animator : Jeremy F. Butler, CG Supervisor : Dagan Potter, Visual Effects Supervisor : Jerry Spivack, Finance : Linda Strause, ADR Editor : Kerry Dean Williams, Rigging Gaffer : Frank Dorowsky, Creature Technical Director : Vijay Myneni, Location Manager : Lily Flaschner, Art Direction : Michele Laliberte, Hairstylist : Réjean Forget, Visual Effects Producer : Raoul Bolognini, Construction Coordinator : Michel Brochu, Digital Producer : Andra Bard, Painter : Gloria Ciraolo, Sculptor : Lucie Fournier, Set Designer : Caroline Alder, Executive Producer : Kelly Van Horn, Original Music Composer : Harald Kloser, ADR & Dubbing : Derek Casari, Second Unit Cinematographer : Tom Yatsko, Casting : Andrea Kenyon, Makeup Artist : Sharon Ilson, Editor : David Brenner, Makeup Effects : Adrien Morot, Hairstylist : Sandy DeBlasio, Helicopter Camera : Steve Hertler, Visual Effects : Michael Leung, Rigging Gaffer : Gilles Fortier, Art Department Assistant : Una Martin, Set Decoration : Victor J. Zolfo, Construction Coordinator : Alain Brochu, Roto Supervisor : Stephanie Taubert, Visual Effects Supervisor : Remo Balcells, Special Effects Supervisor : Louis Craig, Assistant Art Director : Camille Parent, Loader : Amelie Duceppe, Script Supervisor : Kim Berner, Executive Producer : Ute Emmerich, First Assistant Camera : Michel Bernier, Set Decoration Buyer : Stacy Weddington, Assistant Production Coordinator : Guylaine Boucher, Producer : Roland Emmerich, CG Supervisor : Sean Andrew Faden, Visual Effects Producer : Petra Holtorf, Propmaker : Patrice Jacques, Steadicam Operator : Francois Archambault, Foley : Glenn T. Morgan, Techno Crane Operator : Richard Boucher, Key Grip : Marc Andrus, Production Illustrator : Michael Meier, Line Producer : Tavin Marin Titus, Systems Administrators & Support : Joe Ardent, Set Costumer : Arlynn Abseck, Visual Effects Producer : Todd Isroelit, Director : Roland Emmerich, Digital Intermediate : Lorene Simpson, Set Designer : Frédéric Amblard, Stand In : Martin Brisebois, Grip : Joost Clerinx, Set Designer : Steve Cooper, Makeup Effects : Sylvania Yau, Assistant Property Master : Eric Bardin, Sound Designer : Randy Kelley, Visual Effects Coordinator : Erica Headley, Steadicam Operator : Gary L. Camp, Third Assistant Director : Paul Drouin, Digital Compositors : Sean Apple, Set Designer : Hugo Santiago, Modeling : Yoshiya Yamada, Craft Service : Chris Winn, Associate Producer : Lawrence Inglee, Sound Recordist : Jon S. Trebilcock, Art Direction : Tom Reta, Video Assist Operator : Julie Garceau, Dialogue Editor : Daniel S. Irwin, 3D Artist : Zack Judson, Art Direction : Gerald Sullivan, Casting : Randi Wells, Special Effects : Neil Corbould, Pilot : Al Cerullo, Co-Producer : Thomas M. Hammel, Transportation Coordinator : Javier Gunther, Set Decoration : Paul Hotte, Location Manager : Céline Daignault, Sculptor : Andrew Semple, Camera Operator : Eric Goethals, Local Casting : Cate Praggastis, Script Supervisor : Sophie Boyer, Dolly Grip : Alain Masse, Sound Engineer : John Bires, Transportation Coordinator : Daniel Matthews, Stunt Coordinator : Charlie Brewer, Property Master : Claire Alary, Still Photographer : Takashi Seida, Unit Production Manager : Joe Dishner, Sound Recordist : Tim Gomillion, Property Master : Denis Hamel, Associate Producer : Kim H. Winther, Costume Supervisor : Kenn Smiley, Construction Coordinator : Rejean Brochu, Visual Effects Supervisor : Colin Strause, Casting Assistant : Bryan Riley, Driver : Chris Haynes, Set Designer : Vincent Gingras-Liberali, Camera Loader : Charlie Newberry, Casting Associate : Scott David, Visual Effects : Diane Macke, Second Unit Cinematographer : Anna Foerster, First Assistant Editor : Quincy Z. Gunderson, Camera Operator : Francois Archambault, Musician : Maria Newman, Visual Effects Supervisor : Greg Anderson, Camera Operator : Alfonso Maiorana, Production Design : Barry Chusid, Key Costumer : Valerie T. O'Brien, Visual Effects Editor : Michael Cavanaugh, Director of Photography : Ueli Steiger, Sequence Leads : Jason Iversen, Set Designer : Alex Touikan, Chief Lighting Technician : Jean Courteau, Location Manager : Kenneth E. Fix, 3D Supervisor : Rina Strause, Camera Operator : Gary L. Camp, Art Department Coordinator : Nancy A. King, Author : Roland Emmerich, Production Accountant : Manon Lapointe, Set Designer : Stephanie Gilliam, Transportation Captain : John Bober, Lighting Technician : Stéphane Byl, Music Editor : Bob Beher, Visual Effects Producer : Michael Meagher, Visual Effects Supervisor : Rocco Passionino, Music Editor : Emanuele Arnone, Sound Designer : Alan Rankin, Technical Supervisor : Irfan Celik, Art Direction : Martin Gendron, Supervising Sound Editor : Mark P. Stoeckinger, I/O Supervisor : Ryan Beadle, Carpenter : Jane Kilkenny, First Assistant Sound Editor : Victor Ray Ennis, Key Hair Stylist : Janis Clark, Sound Designer : Ann Scibelli, Camera Operator : Bill O'Drobinak, Storyboard : Timothy Burgard, Rigging Grip : Richard Complaisance, Conductor : Blake Neely, Post Production Assistant : Jeff Schweikart, Art Direction : Réal Proulx, Sound Recordist : Chris Walmer, Transportation Co-Captain : Spiro Tsovras, Camera Operator : Peter Hutchison, Costume Supervisor : Robert Q. Mathews, Unit Manager : Paul Boutin, Visual Effects Editor : Nicolas Anastassiou, First Assistant Director : Kim H. Winther, Construction Coordinator : Bruce Di Valerio, Makeup Effects : C.J. Goldman, Utility Stunts : Nick Brandon, Leadman : David M. Milstien, Unit Publicist : Joe Everett, Set Designer : Karl J. Martin, Sound Recordist : Dennis Rogers, Costume Design : Renée April, Set Production Assistant : Mariana Acuña Acosta, CG Supervisor : Andrew Waisler, Dialogue Editor : James Matheny, Makeup Effects : George Tucci, Visual Effects Producer : Casey Conroy, Camera Technician : Steven J. Winslow, Production Manager : Daniel Auclair, Color Timer : Michael Eaves, Utility Sound : Schavaria Reeves, Orchestrator : Frank Bennett, Supervising Art Director : Claude Paré, Pre-Visualization Supervisor : Daniel Fort, Executive Producer : Stephanie Germain, Camera Operator : Georgia Packard, 24 Frame Playback : Marie-Pierre Tétreault, Second Assistant Director : Erik Ajduk, Set Medic : Jean Marchand, Author : Jeffrey Nachmanoff, Visual Effects Supervisor : Ian Hunter, Producer : Mark Gordon, Scenic Artist : Donald Beaulieu, Visual Effects Supervisor : Richard Britton, Visual Effects : Kristen Branan, CG Supervisor : David Prescott, CG Supervisor : Hans Uhlig, Best Boy Electric : Edison Jackson, Casting : April Webster, Key Makeup Artist : Kathryn Casault, Sound Designer : Harry Cohen, Production Coordinator : Danielle Boucher, Gaffer : Logan Leabo, First Assistant Editor : Robert Berman, Lighting Supervisor : Chris Wells, Executive In Charge Of Production : Vanessa R. Jordan, Costume Coordinator : Lyse Pomerleau, Visual Effects Supervisor : Conny Fauser, Sound Mixer : David O. Daniel, Electrician : Paul Postal, Stunts : Marcello Bezina, Sound Effects Editor : Michael Kamper, Visual Effects Producer : Mike Chambers
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